True story: about a year ago, I received feedback on my mystery novel from a literary agent based out of Los Angeles. Along with a two-page critique, she also sent a multi-page checklist of items she and her agency require before signing a new client. The checklist included dozens and dozens of very specific items–too many to mention here–and while I studied the checklist carefully and gained some helpful insight on what agents are looking for, I was still a bit overwhelmed. . .which brought me back to The Marshall Plan for Novel Writing. Below are excerpts from an article entitled “Make Your Mystery Stand Out.” In it, Evan Marshall–literary agent and best-selling author–boils down the list to three essential elements.I found this incredibly helpful, especially when I was writing the first draft of my detective novel Go Go Gato.
Look for the Hook
“In fiction, a hook is a way to promote a book through some aspect that has commercial appeal or provides publishers with a gimmick or “handle” that lends itself to publicity. Your detective might have an occupation that is of high interest in the current culture, is especially timely, is interesting for its very obscurity, or is the same as that of the author. For instance, Patricia Cornwell’s series of mysteries featuring Dr. Kay Scarpetta first became popular at a time when public interest in the world of medical examiners had been heightened by such nonfiction books as Coroner by Dr. Thomas Noguchi, L.A.’s coroner to the stars, not to mention the tremendous public fascination with true crime. That’s Ms. Cornwell’s hook.“
Dig Into Your Characters
“Today’s readers want richly textured characters, especially in the series detective. A clever puzzle for your mystery novel is important but not enough. We must know all of your major characters as people, just as we would know the characters in any well-written novel. For purposes of characterization, think of your book as a novel with mystery, not a mystery novel. Tell us about your characters’ pasts, their psychologies, their faults and weaknesses, their relationships to one another. Remember, it’s your characters who will bring your readers back for more.“
Devise a Clever
“Don’t settle for a plot device if you can recall seeing it in another book, in a movie, or on TV. Work hard to come up with something different. Granted, there are only so many ways to kill someone, but the canny mystery writer will give one of those ways a new twist. The same goes for motive. There’s no excuse for stale clichés; your plotting is truly your own and should bear your distinctive fingerprint.“