I love the voice in this novel, which is an addictive cross between Chuck Palahniuk and Mikey Spillane with a bit of spy-fi a la Ian Fleming thrown in for good measure. What this book does (and does well) is follow the classic structure of a detective/spy novel, plot twists and tough guy dialogue included, while simultaneously poking fun at those storied genres. There are insider jokes/familiar troupes on practically every page, and the author’s influences literally pop up and say, “Hello.” Usually, a writer will deliver jokes deadpan and only acknowledge his/her influences via author interview, but Allen calls attention to his in the actual narrative, which makes the book all the more comical and enjoyable. Too, this level of self-commentary adds a layer of depth to the narrative, making THE SPARTAK TRIGGER both a novel and, in its own way, criticism. . .and entertaining criticism at that.
But all English major stuff aside, this book does the most important thing a novel should do: it makes you want to turn pages; it draws you into its world and makes you want to stay there. Bottom line, that is my most fundamental requirement for fiction, and based on that, I highly recommend reading this one.