GO GO GATO: one week away and counting…

My debut novel GO GO GATO is scheduled for release in one week, on August 1st, and I wanted to say a quick word about marketing/self-promotion.

And the word is this: tough.

It’s tough when you are an introvert and you want to be writer.  I mean, you want people to read your work, and you think your writing is good and people might be entertained by it, but at the same time, you do not want to annoy/pester/piss them off by constantly posting things on Twitter and FB or emailing them asking for favors like writing reviews on Amazon, Goodreads, and everywhere else. But alas, that’s part of the gig these days, which, really, I don’t mind doing because I love books so much.  In fact, the only reason I write at all is because I want to toss in my dash of spice to the great big wonderful stew known as Literature. (Did you see what I did there, with the metaphor thingie? How could you not want to read my book?!?)

Anyway, with that said, I would like to pre-thank any and all who have pre-ordered my book. No kidding, it means a lot to me, and I hope you enjoy reading it half as much as I enjoyed banging my head on the desk writing it (seriously, I did/do/will continue to do that. I have issues. Enough said.) I would also like to ask a small favor: after you read my book, if you would post an honest review on Amazon and Goodreads, I would be forever grateful. The review need not be lengthy. Even three or four sentences is a big help, especially if you actually liked the darn thing. Indie and Small Press authors like myself rely on reviews and word of mouth to gain a wider audience, so again, I say thanks in advance.

One more thing: I’m trying out a bit of a catchphrase/motto regarding marketing and my book.  Here it is: If you like it, tell a friend. If you hate it, tell an enemy. (Come on, I’m funny, right? Read my book!)

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Early Praise for GO GO GATO

Thank you very much to Steve Ulfelder, James L. Thane, Jack Remick, and Paul D. Marks for reading GO GO GATO and providing blurbs. It is always nice when authors you read and respect end up liking your work, too. Check out what they had to say about my debut novel below.

From its hero to its milieu to its eccentric, three-dimensional characters, Max Everhart’s GO GO GATO is a terrific read. The North Carolina minor-league baseball scene feels authentic and beloved, and I was always rooting for protagonist Eli Sharpe. The best news is that this excellent mystery is first in a series. Fans of Harlan Coben will want to check out Max Everhart, a major new talent!

– Steve Ulfelder, Edgar finalist author of WOLVERINE BROS. FREIGHT & STORAGE

GO GO GATO is the debut entry in a promising new series by Max Everhart, and it’s a fast-paced, entertaining tale. Eli Sharpe is a very appealing character who combines just the right amounts of wit, humor, intelligence and courage, and it will be fun to watch him in action as the series continues to grow and develop.

– James L. Thane, author of UNTIL DEATH and NO PLACE TO DIE

A missing person’s case turns deadly. In Go Go Gato, Everhart executes the classic mystery with ease and more than a few twists. All the modular scenes are there—the sleuth’s office, first encounter with the femme fatale, the victim’s lair, digging up the past, witness interviews, suspect interviews, and that essential—the corpse. But we’re not in LA or Boston. We’re not in SF or NYC. Everhart sets this fine novel in Asheville, NC and he breathes new life into an old form with a convoluted plot, detailed characters, and a very flawed detective. Chandler would be proud.

– Jack Remick, author of THE BOOK OF CHANGES

Max Everhart scores a homerun with this first novel in his new Eli Sharpe mystery series. Eli finds much more than he bargained for in his search for a missing baseball player in this fast read, best enjoyed with a glass of George Dickel in hand since that’s Eli’s favorite “poison”. Like a good curveball you won’t see the twist ending coming at you.

– Paul D. Marks, author of the Shamus Award-Winning novel WHITE HEAT

 

Press Release for GO GO GATO

Camel Press Announces the August Release of Go Go Gato, by Max Everhart: A Ballplayer Vanishes

Seattle, WA.—On August 1, 2014, Camel Press will release Go Go Gato ($14.95, 278 pages, ISBN: 978-1-60381-911-4), by Max Everhart, the first book in a new mystery/suspense series featuring Eli Sharpe, a former baseball player turned detective.

From its hero to its milieu to its eccentric, three-dimensional characters, Max Everhart’s GO GO GATO is a terrific read. The North Carolina minor-league baseball scene feels authentic and beloved, and I was always rooting for protagonist Eli Sharpe. The best news is that this excellent mystery is first in a series. Fans of Harlan Coben will want to check out Max Everhart, a major new talent!

–Steve Ulfelder, Edgar finalist author of WOLVERINE BROS. FREIGHT & STORAGE

Go Go Gato is the debut entry in a promising new series by Max Everhart, and it’s a fast-paced, entertaining tale. Eli Sharpe is a very appealing character who combines just the right amounts of wit, humor, intelligence and courage, and it will be fun to watch him in action as the series continues to grow and develop.

–James L. Thane, author of UNTIL DEATH and NO PLACE TO DIE

When Almario “Go Go” Gato, a handsome young Cuban baseball player, goes missing mid-season, his agent Veronica Craven hires a private investigator to track down her best client. No police. No press. Enter Eli Sharpe, an Asheville, North Carolina-based ex-ballplayer turned private detective who specializes in investigating professional athletes.

Eli begins by questioning Maria Gato, Almario’s roommate and fraternal twin. Maria watched while both her parents drowned on the boat ride from Cuba to America, so she is naturally desperate to get her only brother back. She tells Eli a secret: Almario may have a problem with drugs and alcohol.

Eli tracks down Almario’s supposed girlfriend, a rich sorority girl, but is soon led to another woman in his life, Sheri Stuckey, his cocaine supplier and fiancée who works in tandem with a gay bartender named Dantonio Rushing. Stuckey, a drug abuser and single mother, claims Almario split because she wanted the two of them to check into rehab. But Rushing, dazzled by Almario’s boyish good looks, tells a different tale: Almario has taken out a $500,000 life insurance policy on himself and named Stuckey as the primary beneficiary.

With the help of his a mentor—a former homicide detective—and five ex fiancées who still care about him, Eli follows Go Go’s trail, determined to locate the elusive ballplayer before one of the nasty people in his life—or his own bad habits—do him in. Max Everhart had this to say about his protagonist:

Eli Sharpe is an amalgamation, a Frankenstein I cobbled together out of spare parts just lying around the junkyard in my brain. From television, I constructed my detective from Atlanta Braves games circa mid-1980s, reruns of The Rockford Files, the first season of The Wire, and the Fletch movies. From hard-boiled PI books, I borrowed elements from Lew Archer, Philip Marlowe, C.W. Sughrue, Archy McNally, and dozens of other fictional detectives. From my own life, I drew on half-remembered conversations between my father and me, fragmented images from my time in Asheville, and god-only-knows what else. But in the end, Go Go Gato is the kind of story I like to read, and Eli Sharpe is the type of detective that I, as a reader, would become obsessed with. Hopefully, other readers will share my obsession.”

Go Go Gato is currently available for pre-order on Amazon.com. After August 1st, it will be also for sale in eBook and print editions on BN.com, the European Amazons, and Amazon Japan. Bookstores and libraries can order by contacting info@camelpress.com or through Ingram, Baker & Taylor, or Partners West. Libraries can also order through Follett Library Resources or Midwest Library Service. Other electronic versions can be purchased on Smashwords or at any of the major online ebook stores.

Go Go Gato Book Cover

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Here is the cover for my debut detective novel Go Go Gato. This is the first book in the Eli Sharpe series, and it will be released on August 1st (Camel Press). Below is brief “pitch.”

In Go Go Gato, a strikingly handsome young ballplayer named Almario Gato goes missing.  Having recently negotiated a $1.2 million dollar signing bonus from the Colorado Rockies for her best client, Veronica Craven hires a private detective to locate Almario “Go Go” Gato.  Enter Eli Sharpe, an ex-ballplayer turned private detective.  With eight years experience, five ex-fiancées, and charm and wit to spare, Sharpe takes the case.  But after meeting the women in Almario’s life—his statuesque agent, his devoted twin sister, his spoiled girlfriend, and his cocaine-dealing fiancée—Sharpe begins to wonder if Almario is missing or in hiding.  Navigating a quirky cast of characters that could only reside in a hodgepodge town like Asheville, North Carolina, Sharpe soon discovers Almario may very well be in danger.  The mortal kind.

Make Your Mystery Stand Out: Tips from the Marshall Plan for Novel Writing

True story: about a year ago, I received feedback on my mystery novel from a literary agent based out of Los Angeles. Along with a two-page critique, she also sent a multi-page checklist of items she and her agency require before signing a new client. The checklist included dozens and dozens of very specific items–too many to mention here–and while I studied the checklist carefully and gained some helpful insight on what agents are looking for, I was still a bit overwhelmed. . .which brought me back to The Marshall Plan for Novel Writing. Below are excerpts from an article entitled “Make Your Mystery Stand Out.” In it, Evan Marshall–literary agent and best-selling author–boils down the list to three essential elements.I found this incredibly helpful, especially when I was writing the first draft of my detective novel Go Go Gato.

Look for the Hook

In fiction, a hook is a way to promote a book through some aspect that has commercial appeal or provides publishers with a gimmick or “handle” that lends itself to publicity. Your detective might have an occupation that is of high interest in the current culture, is especially timely, is interesting for its very obscurity, or is the same as that of the author. For instance, Patricia Cornwell’s series of mysteries featuring Dr. Kay Scarpetta first became popular at a time when public interest in the world of medical examiners had been heightened by such nonfiction books as Coroner by Dr. Thomas Noguchi, L.A.’s coroner to the stars, not to mention the tremendous public fascination with true crime. That’s Ms. Cornwell’s hook.

 

Dig Into Your Characters

Today’s readers want richly textured characters, especially in the series detective. A clever puzzle for your mystery novel is important but not enough. We must know all of your major characters as people, just as we would know the characters in any well-written novel. For purposes of characterization, think of your book as a novel with mystery, not a mystery novel. Tell us about your characters’ pasts, their psychologies, their faults and weaknesses, their relationships to one another. Remember, it’s your characters who will bring your readers back for more.

 

Devise a Clever

Don’t settle for a plot device if you can recall seeing it in another book, in a movie, or on TV. Work hard to come up with something different. Granted, there are only so many ways to kill someone, but the canny mystery writer will give one of those ways a new twist. The same goes for motive. There’s no excuse for stale clichés; your plotting is truly your own and should bear your distinctive fingerprint.

See more at: http://themarshallplan.net/mysterystandout.htm#sthash.WDGd8jxA.dpuf

Eli Sharpe: Enter the Mind of my Fictional Private Detective

Question: Why is Eli Sharpe, the PI featured in my debut novel Go Go Gato, fascinated by and/or obsessed with Richard Nixon, seersucker jackets, baseball, psychology, detective novels, George Dickel whiskey, guns, the Rolling Stones, his complicated relationship with his father, and lie detection?

Answer: Because I am fascinated by and/or obsessed with those things. I write for two main reasons. First reason: I love to read, and by writing, I can write the kind of stories I prefer to read, which, primarily, are detective stories. Second reason: wish fulfillment. I’m never going to be involved in a shootout or fistfight.  I’m never going to track down a missing person or say witty, off-the-cuff remarks to a femme fatale.  I’m never going to interrogate a suspect, or go on a high speed chase, or a stakeout.  I’m never going to break into a car or house, or any of the other incredibly cool stuff that happens in detective stories. I can, however, write about those things. What I can do is create a fictional world based on my own experiences and tastes, construct an interesting cast of characters to inhabit this world, and then–this is the fun part!–I can shove these characters into a dicey situation…just so I can watch what happens. The truth? The characters I create are the adult versions of imaginary friends; they’re who I “hang out” with instead of going golfing with buddies or drinking with colleagues.  And best of all? They don’t talk at me; they talk for me.  (Pretty sure Stevie Ray Vaughn said something similar about his guitar.)

Bottom line, Eli Sharpe is an amalgamation, a Frankenstein I cobbled together out of spare parts just lying around the junkyard in my brain.  From television, I constructed my detective from Atlanta Braves games circa mid-1980s, reruns of the Rockford Files,the first season of The Wire, and the Fletch movies.  From hard-boiled PI books, I borrowed elements from Lew Archer, Philip Marlowe, C.W. Sughrue, Archy McNally, and dozens of other fictional detectives. From my own life, I drew on half-remembered conversations between my father and me, fragmented images from my time in Asheville, and god-only-knows what else. But, in the end, Go Go Gato is the kind of story I would like to read, and Eli Sharpe is the type of detective that I, as a reader, would become obsessed with. Hopefully, other readers will share my obsession.  rockford_files__120417170500

 

 

 

 

 

Go Go Gato Publisher Revisions

I just completed the first round of editing/revising for Go Go Gato.  The publisher and editor notes were helpful, and I (hopefully) strengthened the narrative and the character development. I’m hoping I’ve written an engaging mystery with memorable characters, settings, and dialogue.  Put another way, my goal as a novelist was always incredibly simple and ridiculously ambitious: I strive to write the kind of books I enjoy reading.  Not to sound big-headed, but I enjoyed reading my book, which was kind of weird and sort of cool at the same time.  I actually stopped a time or two during the revision/reading process and thought, “That’s good writing. I wrote that.” I’m of the opinion that all writers have to be at least a tiny bit arrogant to believe others should spend time and money to read something they wrote, to believe what they have to say about the world, albeit a fictional one, is worthwhile.  That said, I believe my book is worthwhile.

Arrogance aside, I must confess to feeling a range of emotions, most of them brand-spanking new for me, an emotionally-suppressed introvert who tends to dwell on the negative. First, I’m feeling grateful my work will be out there in the world soon. Writing is a vocation for me, and now that I have the opportunity to do what I love, and, possibly, hopefully, earn a bit money doing it is gratifying.  Second, I feel inspired to keep writing (and reading).  Honestly, there are countless books available nowadays, and not long ago that fact would have depressed me, but now it invigorates me, motivates me to keep working, keep doing what I love to do.

Okay, I’ll stop now before I start to sound too much like the “sentimental geek” Ryan Adams sings about.

 

Revision of Go Go Gato…Meet Eli Sharpe, PI

I just received my editor’s comments on Go Go Gato.  Aside from minor tweaks, they are asking I change the main character’s name.  After several days of kicking around names with my wife, and a writer friend of mine at work, and my students, and pretty much anyone whose path I’ve crossed recently, I have settled on… Eli Sharpe.  I’ve always loved one-syllable first and last names, and I dig the name Eli.  Too, I’ve always been obsessed with the cadence and rhythm of a person’s entire name.  Eli Sharpe, to my ear, rolls off the tongue.  Hopefully, one day, the stories of ELi Sharpe will be as loved as the stories of my favorite PIs: Elvis Cole, Spenser, Conway Sax, and Boone Daniels.

I’m very excited to begin reworking Go Go Gato for publication next year. I’m also very grateful to Camel Press for the opportunity to bring my stories to print.

Camel Press